Swarm Gallery is proud to announce the exhibition IMPROVISED TERRITORY May 24 - June 22, 2008 Artist Reception | Friday, May 23, 2008, 6-8PM Hyper-conscious to materials and our relationship to them, Christopher Loomis begins his art-making process by imagining a
journey to uncertain destinations. Using primarily wood, he searches for structural and visual qualities in it, knots and grains
that bend and carve uniquely. His designs emerge from this improvisation with the material. Jeff Eisenberg has traded in his
colored pencil on Mylar technique for graphite drawings depicting home-scapes. He constructs unusual dwellings, like islands on
the paper, huge cathedrals rising out of the soil. These structures are uniquely tempered - they're nostalgic remnants of places
he's been, where he grew up and territories of his imagination. Jeff Eisenberg, Relay Solution (2008), Graphite on paper, 9.5 x 15" Christopher Loomis, Rest (2008), Recycled Hungarian Oak Wine Barrels PROJECT SPACE In the project space, Oakland-based artist John Casey creates "Picket Fencing" -- A mixed media installation on wood
including a cast of characters developed over time that "fence with pickets." Drawing from the obvious pun in the name, Casey
also has fun with latent angst tied up in middle class suburban culture.
"A father of four young boys told me this story. His sons were out playing in their large backyard one afternoon. At one point, the father went out into the
backyard and found his sons wildly battling each other with numerous wooden pickets torn from his pristine white-picket fence. The boys were literally fencing
with pickets. Aside from the obvious pun, for me, the story conjured images of an epic battle where the combatants splinter their environment to extract weapons to wield
against each other. With total disregard for the iconic power of the white-picket fence (middle class structure, suburban culture, ownership society, etc.), the
manic adolescents destroy the fence with glee. 'Picket Fencing' is simply my attempt to capture the spirit of that manic scenario using a cast of characters I have developed over time. The implied
politics or metaphors are left open-ended for the viewer to parse. Remember, it's always fun until someone looses an eye." |